Egoless – Empire of Dirt

Proper. Lanky and loose, knuckle dragging, lumber step that somehow calibrates the right amount of abstract with ultra heavy weight groove and pitched low syrupy percussion oozing in the reverb. I love the way the beat in ‘Avet’ just cuts out completely half way through to deliver deep exhales of near catatonic baked perfection.


Unwitch – the first session (Leyla Records)

Some choice cuts off this latest compilation; Unhuman, Mondkopf, but Manni Dee’s contribution is particularly relentless; full on hiss, grit and broken beat bounce that unleashes an infectious, industrialised, Rotterdam Termination Source-esque ‘Poing’ with lashings of dub chamber white out.


Escape To Athena

A lot of late night online dérives and digital crate digging seem to lead me back into the shadows of the Greek industrial/techno scene’s impressive doric columns these days. Can’t quite put my finger on why it tickles the taste buds so at the moment? but I think it’s the fuzz of the low end; the direct lines; the right amount of noise without over-egging the pudding. Big, weighty, heavy things with oracles living inside.

So we got ANFS and his label Modal Analysis, Vofa (Sawf & ANFS), the Kafta and Vanila labels (see previous posts), then I discovered Pi Electronics, Phormix Records and now OSM Tapes.

The debut tape/digital release by NO/ON is choice; a little bit lo-fi, nice fat distortion, hiss, sheets of noise, (reminded me a bit of the late 90s Amputate tunes or Dan Hekate’s mucky broken beat excursions?) but the tape medium really seems to suit the sound here. (Manni Dee dropped a couple of the tunes in one of his recent Rinse mixes).



Forget the plate smashing, the latest 14 track Phormix compilation ‘Consistency In Paranoia’ throws just about bloody everything against the wall in a total mezze of synth noise weirdness – and a lot of it sticks. Ouzos all round. Stand out for me is Core Belief’s bass strobing, drone screamer, which I could really do with a whole 4 track EP of similair blueprints of!

Also liked the previous ‘Light of Consciousness’ compilation, which wasn’t so off the wall.

And finally, Mumdance kept playing this tune last year all over his Rinse B2B sets and I got slightly obsessed with it for some reason (and had to use Shazam to ID it in the end heh). Something about that plaintive two note metallic wail drifting in the distance over the infectious beat hammer. Kind of a stand out example of what I hold up as the ‘Greek’ aesthetic; Simple and direct, but dirty and driving.