There’s a clinical sheen to this LP – and I mean that in a good way; that feeling (and chemical smell) you sometimes get when you open up some brand new gadget or pair of kicks you’ve had your eye on for ages; the boxfresh, straight from the factory moment. Also a monastic, almost martial art simplicity and restraint to a lot of the beat and bass mongering (that in the wrong hands is just plod, like say Youngsta’s schtick, but here attains the finesse of handcrafted Japanese blades), a deliberate pacing for the subs to really breath and hit lower. ‘Point Blank’, ‘Mad Zapper’ and ‘Angry Drummer’ are my top tunes here.
That’s what I’m talking about! Boylan sneaks a last one in before the year plays out. Meticulous funereal Grime with an undead lumber – there’s almost a kind of Nosferatu-esque (1922 silent version) jerkiness and flicker to the swing and shuffle and dread laden bass grind. Sound system carnage guaranteed.
1. Mumdance & Logos: FFS/BMT (Different Circles)
2. Pinch & Mumdance: Strobe Light/Control (Tectonic)
3. NKC: Tincture (Her)
4. Deapmash: Halcyon VIP (Leisure System)
5. N1L: Ikea Zen EP (UIQ)
Farewell Boxed then. Almost no chat, just tune after tune throw down. And a couple of real stand outs to my ears (mainly from Boylan if I’m not mistaken?). In (my) ideal Grime world I’d want of a whole set of these kindof tunes back to back; just a hard mix of grunting and brutish, economic and watertight instrumentals but hey…
33:46 Definitely a Boylan tune? (basically a variation of Glass (Boylan Devil Mix) no?)
37:30 Pure filth…
1:19:10 (Boylan & Riko) then into this instrumental…Vicious!!!
And the new Mumdance tunes straight after are on point too. You can instantly hear his quirky tech signatures on the production. Proper tear out bounce business.
Hell yeah! This is proper good. Almost startling in its simplicity. Unpretentious, unfussy. A moody head nodder, with funk to boot, that almost veers into Mover darkcore territory. Trends ‘IronFist’ is also a fine bit of darkage…can’t really compete with the Don’s though.
Footwork/Juke producer and former DJ Rashad collaborator comes correct with this monster Grime/Bass banger.
I heard ‘Ghosts in the Machine’ on a recent Mumdance/Rinse FM show and while it’s a totally polished, bolt-action DJ tool (with an almost vintage Slimzee/Youngstar/P-Jam bounce) to rinse out at peak slot witching hour, ‘Where do you go at Night?’ is the heavyweight capo di tutti capi. A superb rumbling avalanche of doom bass, all paranoid reverse loops and cavernous claps, taking it into a different arena altogether. Guaranteed to be a huge tune over sound systems.
Big ups too for keeping business faultlessly short and sweet. No padding or bull.