A2. ‘Drivers License’ is the one you want here. A bubbling, acidic electro, slow cooker, brought to the boil for an eventual serving of dark rave, best set aside and served cold. Props to my pal Ghetto G for hipping me to this one.
Props to Energy Flash and cohort for digging out a fine long read on the early ’90s Roman techno scene, (I would never have found that myself). All the heads quoted seem to keep it humble and being a fan of that sound/era it’s refreshing to read a historic appraisal that doesn’t ultimately veer into hyperbole and making the balanced conclusion that there was no legacy (and why should there always be one after all?) – it was just the time and place, “a style generated by a specific period, by a limited number of people.”
Inspired by the above, I pulled out a 1997 (maybe ’98?) issue of the French techno ‘zine L’ultime Atome from my archives and scanned up two long(ish) interviews here with lynchpins Marco Passarani and the brothers Fabrizio & Marco D’Arcangelo. For French speakers only (and Discogs nerds), sorry people.
(Note aside: Lory D’s new album….don’t even go there).
A faultless 4 tracker of gritty, sweeping, panoramic, industrial electro that somehow manages to successfully combine ultra warm, low end fuzz with frigid, Carpenteresque, dystopian rave shiver – like sweating and tripping hard on a warehouse dance floor in your bomber jacket, watching your own breath exhale, not sure if your fingers are going numb or if it’s the drugs? ‘Density 3’ is my personal fave – a claustrophobically hard-jacking acidic dirge with cold siren calls of toxic melody that strafe the metronomic beatbox pulse and glide. Dance into oblivion my friends! (His ‘Days of Dissent’ LP from last year is also definitely worth checking too).