Tommy Four Seven: The Trace

Top notch snarling, cone ripping broken beat business from the boss man. Levelling! 47 are definitely on a roll at the moment and setting new standards.

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Kareem: Your Markets Are Volatile (Zhark Recordings Berlin)

I’d pretty much forgotten all about the original Zhark Recordings (and overlooked many a tune having now gone back and checked the back-catalogue). Still heads down, ploughing their furrow. Quality murky broken beat techno-step with aircraft hangar sized spatial dynamics and vocal incantation drift and acidic squelch. It expertly builds up the arms-outstretched, backwards free-fall into the k-hole. Proper dark.

“It’s got to be completely dark and covert all the way”

Ten years ago I hung up my headphones, sold my decks, sold all my vinyl and headed off into the sunset. That was then, but this is now and definitely no need to wax lyrical about the past here.

Last weekend I played out (properly) for the first time since, in Berlin @ The End is Nigh party at der Kopi; great soundsystem, proper low end, no stars, proper locked-in, open-minded crowd, dancing. Positive vibrations and a lot to find inspiration from; not least from how the tunes I played out sounded (I’d only ever listened to most of them on my headphones before so….huge pleasure, sonic surprises). Where the cruddy distortion and soulless speed of Breakcore killed it for me the science of quaking bass technique, slower tempo and – SPACE – has surely taken over.

I’ll be posting info and comments on tunes (and also other mediums) I’m feeling here from now on. There’s a lot of quality hybrid productions coming out that have regalvanised my enthusiasm for dark underground club music. Especially in the slower 128-140bpm fields and beyond the dubstep/brostep formulas too. If that’s your bag then drop by occasionally, leave a comment or reply and share some of your own thoughts.

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