47017 – Overlook and Positive Centre debut their collaborative project, Carrier.
Masterful production on these impressively crunchy, jagged, industrial broken beats with a BIG rolling juggernaut of a low end. There’s an infectious, driving, piston funk woven into these tracks as they build and reach cruise speed, surely the result of Overlook’s D&B background and sensibility (over on UVB-76 Music etc). Sound sytem bangers. As is young Scaly’s ‘Ghroar’ tune below.
47018 – Serbia’s Scalameriya. Normally all I can say about his schtick is Meh! with a shrug; his competent but uninspired, perfectly adequate but textbooky, almost B-list, broken beat thumping and bashing. Still, essays handed in, no matter how badly written, can usually get you at least a C. So finished beats perfect, as they say. All that aside, he seems to ratchet it up a gear and break out for one stormer of a track ‘Ghroar’ injecting the template with rippling sheets of blurting, buzzsaw filth to make it monolithic, quite ritualistic and very nasty. Could’ve/should’ve gone even further though.
Must say, I didn’t think too much of this when it came out in March. I’d been playing catch up and listening to a tonne of the Grey Area et al. stuff over the last months so maybe I’d just ODed on the Horo sound? It sounded too muddy and murky with all its (mercifully) low in the mix corrosive EDM vocals and farty bass. I bought it though, like the nerd I am, and persevered with it in the pick-up with the sub woofer cranked on my night drives home. And suddenly I got right into it. It seemed to get better on repeat listens (something that’s not always or often the case). The extended 10 minute ‘Skewer’ was the one that did it for me and pulled me in: the cavernous Doom claps that whip up the vibe at the beginning….but then I wish they hadn’t been dropped out of the mix altogether….something could have really been done with those?
1. Tommy Four Seven: 47013 (47)
2. VSK: 47011 (47)
3. Stave: Black Hills (Standards & Practices)
4. Sam KDC: Of Myth & Mercury (Auxiliary)
5. Ghost In The Machine: One Louder (Perc Trax)
Top notch snarling, cone ripping broken beat business from the boss man. Levelling! 47 are definitely on a roll at the moment and setting new standards.
I’d pretty much forgotten all about the original Zhark Recordings (and overlooked many a tune having now gone back and checked the back-catalogue). Still heads down, ploughing their furrow. Quality murky broken beat techno-step with aircraft hangar sized spatial dynamics and vocal incantation drift and acidic squelch. It expertly builds up the arms-outstretched, backwards free-fall into the k-hole. Proper dark.
Ten years ago I hung up my headphones, sold my decks, sold all my vinyl and headed off into the sunset. That was then, but this is now and definitely no need to wax lyrical about the past here.
Last weekend I played out (properly) for the first time since, in Berlin @ The End is Nigh party at der Kopi; great soundsystem, proper low end, no stars, proper locked-in, open-minded crowd, dancing. Positive vibrations and a lot to find inspiration from; not least from how the tunes I played out sounded (I’d only ever listened to most of them on my headphones before so….huge pleasure, sonic surprises). Where the cruddy distortion and soulless speed of Breakcore killed it for me the science of quaking bass technique, slower tempo and – SPACE – has surely taken over.
I’ll be posting info and comments on tunes (and also other mediums) I’m feeling here from now on. There’s a lot of quality hybrid productions coming out that have regalvanised my enthusiasm for dark underground club music. Especially in the slower 128-140bpm fields and beyond the dubstep/brostep formulas too. If that’s your bag then drop by occasionally, leave a comment or reply and share some of your own thoughts.