Sounds like they got stuck in their own K hole on this one! ‘Shapeshift’ kicks in with a promising, looped, cold rush rave vamp that quickly teeters on the edge of bloody irritating (but could be worked into a set to desired effect if the selector mixes it in ‘n’ out pronto) and then collapses into its own corner and nods out in a pool of piss as the rush kicks in.
Three tracks of robotically blank, mechanised, creep and slither. Clanking, deep space, beat work outs and scything bass gnarl synchronise into well-oiled, functional, DJ tool menace.
More Hench wobble nastiness, keeping it unpretentiously thuggish ruggish and pitching for the gut. (Nothing on the interweb to post a preview/listen of? but) ‘Just Do It’ stands out in the filth stakes and pummels the b-line into a bloody hash of compressed, minced frequencies. Outstanding dance floor business.
Foggy, ethereal trapstep minimalism from Paris on J Kenzo’s Artikal Music.
Huge, booming, murky bass tonnage that tokes hard and lines up the cross-hairs. Won’t make any sense at all unless played over real speakers or quality headphones.
One of those accidental finds where I was simply attracted by the name of the label; ‘Monsters of Doomcore’ (yeeeah!) and had to investigate…
Although when I looked up TPROE on Discogs and saw that he’s already supposedly released 25 albums(!?!) in the last 16 years I had to laugh. It’s surely impossible, for multiple reasons, to take any artist who makes that claim seriously (unless they’re maybe The Fall or the Melvins…and even then…ya get me?) That discussion aside (and unfairly perhaps? having little or no interest in exploring his back-catalogue as a result) there are definitely a couple of stand out warehouse-sized crowd smashers here.
I don’t really want to know or speculate what “Densely Packed Hitlers” is about? (especially with the label press-release touting over-population and that a “great culling is coming”…) however, the production does have expertly crafted, massive, crushing low end, clearly built to level huge space arenas in a cold rush vibe.
Speaking of that Italian broken beat techno sound, Guillaume ‘Dr Macabre’ Leroux has just dusted off his old hard drive archives and revealed some very tasty cuts in this vein – mournful, radioactive sunrise dirges over piston juddering, industrial beats. I’ve cherry picked them, although there aren’t any Soundcloud/Youtube uploads (as yet). Check them on Juno? :
7. ‘Before Dawn’/ 10. ‘Crying For HELP’ / 13. ‘Sunday Caramel’ / 18. ‘Late at Night’ / 19. ‘Today is a Good Day to Die’ (my personal favourite)
I’ve just done a whole bunch of new(ish) release reviews for the next issue of Datacide so I’ll try not to double up/copy, but this latest one by Aquarian deserves special mention.
His best and most slamming release to date and probably my favourite Bass release of the moment. Drenched in dark warehouse rave vibes, he’s definitely beefed up the low end and fine-tuned his chopped breaks & kicks aesthetic; strong tension and release composition too. In fact I would go so far as to say; no-one does it better! Proof that keeping it simple always leads back to something stronger.
‘Bad Feeling’ could almost be of D’Arcangelo/SNS/ADC/Anibaldi Italian broken beat techno vintage, just as ‘Insulin’ hints at a Mover vibe too!
This is a must for any fans of that era/sound.