Aquarian massively on point again and he’s upped the bass, yet again, bigtime. Seems to do it everytime. First listen you think ‘ho-hum’, all a bit techno formalist, but then you hear his signature mastery of teasing out the build and tension and it’s really on the breakdown and second drop at the 5:00+ mark that the track lights up and reaches full dancefloor velocity; the wicked, totally infectious, chopped breakbeat shuffle that he’s so good at. Minimal ingredients, maximal results.
Another ultra solid and reliable panel bashing party tool from Perc Trax.
The ground hugging fog of the filtered reese on “The Holy Grill” stirs up the stygian rave tension (like a good Reese always should) and unleashes the proverbial dogs of war on the dancefloor. Possibly this betters any of their previous releases on their three 2016 Genosha Basic EPs in sheer crushing precision build? (although “Reverse Cowbell” off GBASIC 001 is still up there I reckon; a really stripped acidic punisher). On this trip the ultra heavy bass pumps the floor with seismic waves while the rhythmic metallic lashing and piston grinding mercilessly flail the top end to brute effect.
Intense, deeply narcotic, doom chug business.
A faultless 4 tracker of gritty, sweeping, panoramic, industrial electro that somehow manages to successfully combine ultra warm, low end fuzz with frigid, Carpenteresque, dystopian rave shiver – like sweating and tripping hard on a warehouse dance floor in your bomber jacket, watching your own breath exhale, not sure if your fingers are going numb or if it’s the drugs? ‘Density 3’ is my personal fave – a claustrophobically hard-jacking acidic dirge with cold siren calls of toxic melody that strafe the metronomic beatbox pulse and glide. Dance into oblivion my friends! (His ‘Days of Dissent’ LP from last year is also definitely worth checking too).
One of those accidental finds where I was simply attracted by the name of the label; ‘Monsters of Doomcore’ (yeeeah!) and had to investigate…
Although when I looked up TPROE on Discogs and saw that he’s already supposedly released 25 albums(!?!) in the last 16 years I had to laugh. It’s surely impossible, for multiple reasons, to take any artist who makes that claim seriously (unless they’re maybe The Fall or the Melvins…and even then…ya get me?) That discussion aside (and unfairly perhaps? having little or no interest in exploring his back-catalogue as a result) there are definitely a couple of stand out warehouse-sized crowd smashers here.
I don’t really want to know or speculate what “Densely Packed Hitlers” is about? (especially with the label press-release touting over-population and that a “great culling is coming”…) however, the production does have expertly crafted, massive, crushing low end, clearly built to level huge space arenas in a cold rush vibe.
I’ve just done a whole bunch of new(ish) release reviews for the next issue of Datacide so I’ll try not to double up/copy, but this latest one by Aquarian deserves special mention.
His best and most slamming release to date and probably my favourite Bass release of the moment. Drenched in dark warehouse rave vibes, he’s definitely beefed up the low end and fine-tuned his chopped breaks & kicks aesthetic; strong tension and release composition too. In fact I would go so far as to say; no-one does it better! Proof that keeping it simple always leads back to something stronger.
This is a must for any fans of that era/sound.