More drum & bass/techno hybrid goodness – that is; d&b tempos but with blank concrete techno facades and shorn of any brok out/booyacka aspirations. No-one’s going to be doing any rewinds on these – they’re from a completely different world anyway. The label touts 011 in terms of “fundamentals” and “reductions” (which is er, minimalism no?)
Overlook flips it to his signatures (and frankly leaves the newcomers on 011 in the dust) – that is; techno tempos and a pungent bouillabaisse of ambient fog banks with a d&b step and stagger and subby boom. Not exactly bangers, more like rollin’ rumblers, dark meditations draped over long, evolving frameworks to glide down the rabbit hole on.
Another UVB-76 Music sub-label curated by Vega & Outlook for “residual recordings documented in static matter”. This crew seem endlessly busy these days.
The hauntology positioning is a bit confusing (although painfully self-aware if truly grasped?) and kind of shoots themselves in the foot really: yes there’s a bit (not that much mind) of surface noise and hiss etc and the tracks ARE indeed neither present nor absent, neither dead nor alive (the eternal ‘techno paradox/impasse’ writ large) but do they really want us to ponder this as we consume their sweated-over output? Something akin to a chef putting his signature dish before you and telling you not to expect too much because after all, its only nutrition?
On their own merit though – as pieces of constructed, linear sound – I’ll take two of these for the bag. I like ’em without the guff just fine: the hypnotic, measured, deliberate glide of Pessimist’s slow, bouncey, break shuffle and Overlook’s ‘Purr’ which has more churning grit and lock-jaw drive but brightens towards the end like a creeping dawn.
I’m not haunted though. In the slightest, although a propos of ghosts etc I’ll leave you with this nubbin: I have an aunt who’s a bit “happy clappy” (Born Again Christian) who maintains that if you don’t belive in ghosts you can’t believe in the Holy Ghost. Ponder that one!