Must say, I didn’t think too much of this when it came out in March. I’d been playing catch up and listening to a tonne of the Grey Area et al. stuff over the last months so maybe I’d just ODed on the Horo sound? It sounded too muddy and murky with all its (mercifully) low in the mix corrosive EDM vocals and farty bass. I bought it though, like the nerd I am, and persevered with it in the pick-up with the sub woofer cranked on my night drives home. And suddenly I got right into it. It seemed to get better on repeat listens (something that’s not always or often the case). The extended 10 minute ‘Skewer’ was the one that did it for me and pulled me in: the cavernous Doom claps that whip up the vibe at the beginning….but then I wish they hadn’t been dropped out of the mix altogether….something could have really been done with those?