Icicle: NT (Sentry Records)

camberwell-carrot“…utilising up to twelve skins” (Withnail & I, 1987)

I really have to plumb the Dubstep depths these days to find anything worth taking home…overfished to the point of being another endangered species – and the stocks that remain seem to get genetically weaker and weaker (lack of diversity or shrinking breeding grounds? we’ll leave that to the researchers).

I’d say I currently operate a 98% harvest return rate. Over the side. Back ya go.

Occasionally Mr. Focused Plod aka Youngsta‘s label trots out a tune or two, proving the old adage that even a stopped clock tells the right time twice a day (see above heh).

Icicle rolls the joint up nice and phat on “NT”. Tasty, almost Gabber hard 909 hats stutter in at 2:45 (that’s the best bit really) and the plod starts to hint at something more pounding. Wish I hadn’t looked at the swellhead’s website though;

“Jeroen Snik – aka Icicle – is recognised as one of the most technically advanced and highly-respected producers in electronic music.”

?!?

A certain Brainbombs song comes instantly to mind…

 

Advertisements

dBridge: Digital Dread/Fashion Dread

Dbridge_-_Fashion_Dread_-_Sentry

First release on Youngsta’s “new” Sentry label. Although why he should decide to enter the label fray now with such a bland offering is anyone’s guess? When you’re talking about Youngsta (DJ sets or co-productions etc.) it doesn’t really matter who the artist is really. Whether it’s dBridge, or whoever, is kind of beside the point; it all has to sound, with barely any deviation over the years, the same old = plod. Carrying on my train of thought from Karma’s release, this is surely a case of the Emperor’s New Clothes; dry and by-the-book generics; all psuedo-academic chill and irritatingly prim and precise, with a final squirt of mandatory rasta foolishness/sauce to mask the denuded taste. No tweaking or risk taking of anything whatsoever (over a decade now and counting!?!) Unbelievable that he’s actually lauded for this, as a kind of ‘focused’, no-sell-out, aesthete. Their scene, their little duck pond, not mine, thanks be.