AKA Sawf & ANFS, showing strong industrial literacy on the relatively new Athens imprint Kafta.
Two big tunes for me here: ‘Lisiaxte’ hammers out a leviathan beat of panning 120bpm fuzz, convulsing in a filthy radioactive swamp of bass murk – stifling in weight and reduced parameter. While ‘Ami’ belches out dismal, fog-horn pulses of polluted bass into a necrotic landscape. No compositional peacocking here, just brute repetition and creeping electronic drone that almost feels ritualistic and existential by the end.
Top notch snarling, cone ripping broken beat business from the boss man. Levelling! 47 are definitely on a roll at the moment and setting new standards.
The Don of dirty, broken beat, industrial techno in my opinion, might even put him over Perc…
“Dreamtime” is so phat you can’t even turn up the bass on the mixer! And it gives me straight flashbacks to mid ’90s Magnetic North/Drop Bass Network et al carnage; all those driven red hot, thrashing machine boxes, barely contained by the producers – any little nudge of a knob just letting loose another flailing, feedbacking, analogue stomper. That’s what it often felt like (for a while anyway heh); a wicked trip to follow down the rabbit hole out on the dancefloor.
From the evidence here, the machines still rule if you know how to harness the energy and Hare truly rinses the fuck out of his! expertly reining it in on a shoegazey, beatless breakdown and then unleashing sprays of sparking, arterial voltage all over the slamming, merciless funk to finish it. Total Destruction! Respect due.
Speaking of that Italian broken beat techno sound, Guillaume ‘Dr Macabre’ Leroux has just dusted off his old hard drive archives and revealed some very tasty cuts in this vein – mournful, radioactive sunrise dirges over piston juddering, industrial beats. I’ve cherry picked them, although there aren’t any Soundcloud/Youtube uploads (as yet). Check them on Juno? :
7. ‘Before Dawn’/ 10. ‘Crying For HELP’ / 13. ‘Sunday Caramel’ / 18. ‘Late at Night’ / 19. ‘Today is a Good Day to Die’ (my personal favourite)