Dayzero: ENC036D (Encrypted Audio)

More no nonsense discipline from Encrypted Audio. ‘R6Y’ is the stand out for me; infectious, stripped down, neo-bleep n bass vibes.

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Encrypted Audio – Running Tings

My go-to Dubstep label for at least the past year or so. Mainly specialising in a normally monthly and regular turnover of digital releases over the past four years and an (understandably) slower vinyl schedule, label bosses Content (UK) & Deafblind (USA) seem to have a keen A&R ear for sourcing some of the freshest, foward thinking producers around at the moment. From all over the globe too. I nearly always buy a tune or two off each release and can’t fault the quality control. They started using the term ‘Loose’ last year to describe a certain style gradually coming to the fore, or more probably one they’re trying to form (as opposed to ‘Deep’ or the now considered, old school ‘Dungeon’) – I guess they mean the more broken, staggered, wonky beat grooves, polyrhythmic wubs and bass wobbles. It’s a micro tweak really, but at least it’s incremental progress. Rather predictably, my favourites always seem to be the more brutish Grime tinged blurters! Darkraqqen (DE) & Ramsez’s (USA) ‘FLM’ is top notch filth, as is Karnage’s (JPN) ‘Death Proof’ which is about as subtle as a sledgehammer smashing up the dancefloor. Just the way we like it.

Markee Ledge/Youngsta: Industrial (Artikal Music)

You know exactly what to expect with “single-minded” Mr. Plod; and no-one ever mentions him or his output without mentioning that, let’s be honest (which is just another scenester way of saying what exactly? You tell me hehe?)

Rigid, unwavering dubstep; typically functional, everything exactly where it should be, and where you expect it to be. It’s super solid, it bumps, you nod your head, you listen to the shorn and stripped minimalist aesthetic and then you move on. Until next time.