Been getting deep into this all this Grey Area business lately.
Plenty to explore if you haven’t already. And note the new rules of the game; a lot of it in 3/4 time signature, all phasing polyrhythms, long slow release pressure builds, some of it keyed in precisely to 127.51bpm (don’t ask me why?), most at 85/170bpm.
Sadly for me, most of my music listening these days is done in my single cab pick-up on long boring commutes, but having a new monster sub-woofer put in recently (under my seat, the only space for it) has totally transformed the experience. It’s now a monstrous, enclosed bass chamber! and all this Grey Area stuff seems made for it. Actually turns my drives into a full on psychedelic trips, where I float at high speed on this magic carpet of sub bass while the tracks undulate and progress like the contours and camber of the motorway. Probably more dangerous than drink driving heh, but it’s even better driving home at night.