In contrast to Rabit’s fart-in-the-wind of an album this just seems to get better on repeat listening and feels like a well researched, deeply knowledgeable journey through past and current genres.
I have to call him out though. His biggest, most shameful faux-pas is kicking off the whole thing with an utterly by-the-book old-school breakbeat ragga re-fit(shit). Absolute derivative nonsense. By this stage I think we all have to agree there’s nothing more to say or update on the matter. My advice: avoid, delete or fast forward. It’s a better listen without.
Skirting the edges of Deep House, Techno, and Bass the rest of the material proves a masterfully tech exploration of route finding. There’s no pointless probing or faffing around on the arrangements. They choose their line and go for it, taking in their influences without fuss and with almost casual confidence.
“Gravity” is a long slow builder; a subby, banger that kills it on the breakdown with a re-polished, wobbly, reese and vintage doomcore claps. “U” is most definitely the other stand out track. Sticking to his formula of slow development and filtering in the reese damage, it’s a fine, thick, dense stew of balanced flavours.
In the end the sense is you don’t really know what you are listening to? or what genre? The micro-referencing in the patterns and shuffle, the nods to various tropes: something’s been updated but you’re never ultimately sure what?