Difficult to decide who to discuss here. I could equally have chosen, but would also file in a similair vein, the Deke Soto ‘Black Ice’ track & Rabit’s ‘Thug Rotorvator’ off the San Pellegrino compilation Raw Club Material Vol.3, but Bloom wins the day for sheer looney mechanoid construction and polished chrome sound.
This is proper headphone listening as well as soundsystem intent; the layering and spectrum ranging from super tight, straight down the middle kicks and bass hits, to reverbed sweeps and panning that stretch far into the distance on tight elastic recoil to bounce straight back in your face. ‘Dark Light’ is probably the finest example on the EP and not without its own slow building groove buried within; it still retains enough to not descend into total funkless abstraction. The old dynamics of tension and release get dissected to shards and small statements pasted together with volumes of silence, echoes and pauses, almost as if Bloom has simply muted or discarded his drum tracks.
(Note: I would say Aphasic (Ambush Records) was possibly attempting a not disimilair, disjointed, deconstructive approach with his “moving in several directions at once” production ethos??).